(Kesha Records)
After a long legal battle, the pop star’s sixth album harks back to her 2010s era, with a buffet of pop styles and only rare hints of her highly-publicised trauma
Kesha Sebert has described her sixth album . (referred to hereafter as Period) as “the first album I’ve made where I felt truly free”. It comes accompanied by a lengthy world tour, advertised by a photo in which the singer expresses her freedom – in what you have to say is a very Kesha-like manner – by riding a jetski while topless. Long-term observers of her turbulent career may note that this doesn’t seem so different from the way she framed her third album, 2017’s Rainbow, which she described at the time as “truly saving my life”, and featured her on the cover naked and was accompanied by a tour called Fuck the World.
But it would be remiss to deny her the ability to make a similar point again. Rainbow was released at the height of her legal battle with her former producer “Dr” Luke Gottwald. Kesha had accused him of sexual assault and other allegations, which he denied, resulting in a series of lawsuits and countersuits. Although alternative producers were found to work on Rainbow, she was still legally obliged to release the album – and its two successors – on Gottwald’s Kemosabe label. The two reached a settlement in 2023, her contract with Kemosabe expired shortly afterwards, and Period is now released on her own label.
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