technology #CultureTheFrontRow “A Complete Unknown” Shears Off Vital Details in the Life of a Colossal, Complicated Artist The New Yorker Thu
technology #CultureTheFrontRow Missing Persons: The Characters of “Nightbitch” Are Left Blank The New Yorker Dec 13
technology #CultureTheFrontRow Leos Carax’s Self-Portrait Film “It’s Not Me” Is So Him The New Yorker Dec 11
technology #CultureTheFrontRow “The Outrun,” Reviewed: A Disappointingly Constrained Showcase for Saoirse Ronan The New Yorker Oct 9
technology #CultureTheFrontRow “Last Summer” Is a Ferocious Vision of Sexual Frenzy The New Yorker Jun 28 8m read
technology #CultureTheFrontRow “Subtraction”: A Masterwork of Realistic Fantasy The New Yorker Jan 25 8m read
technology #CultureTheFrontRow “The Sweet East” Plays Fast and Loose with the Politics of Hatred The New Yorker Dec 5 2023 10m read
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