Joshua Redman: Words Fall Short review | John Fordham's jazz album of the month

(Blue Note)
The US saxophonist pulls back the vocals of his last record to present a new ensemble and all-original repertoire, resulting in an ideal balance of ingenuity and rapport

Joshua Redman has been such a brilliant saxophone improviser for more than three decades that his unerring flawlessness at a spontaneous art almost becomes a tic. But his playful delight in music-making, a quality that swept from his eponymous debut release in 1993, has never faded. Redman’s 2023 first album for Blue Note was the covers-packed Where Are We, his first predominantly vocal venture, featuring the frail, borderline-tearful voice of young New Orleans-based singer Gabrielle Cavassa, herself a new Blue Note signing.

Perhaps to deflect this from looking like a label-steered career reset, Redman has cannily entitled its successor Words Fall Short, and included only one Cavassa vocal. Even more smartly, he has introduced a terrific new young road band on an all-original repertoire, and added acclaimed Chilean saxophonist Melissa Aldana and 19-year-old west coast trumpet phenomenon Skylar Tang as guests. The result is an album that feels more like an ideal balance of Redman’s own ingenuity and his ensemble rapport.