BURSTThe Whole New World composer who soundtracked millennial childhoods and won eight Oscars looks back on a stellar career
In early 1991, the composer Alan Menken took a keyboard to St Vincent’s hospital in New York to visit his friend and creative partner, the lyricist Howard Ashman. Ashman was in the final stages of Aids-related illness, but was determined to finish his work on Disney’s Aladdin. Together, they knocked out the music and lyrics for Prince Ali – one of the movie’s most joyous numbers – as Ashman lay in bed.
Menken and Ashman had already collaborated on Disney’s hit 1989 animated musical The Little Mermaid; in the winter of 1991, they were putting the finishing touches on Aladdin and Beauty and the Beast simultaneously. Ashman was “fighting for his life” while they were working on all three, Menken recalls from his home studio in upstate New York. At first, he had no idea his friend was sick, let alone battling HIV; Ashman only revealed his diagnosis after they won the Oscar for best original song for Under the Sea in 1990.
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